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	<title>Comments for The Website Of Author Marilyn Z. Tomlins</title>
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	<link>http://www.marilynztomlins.com</link>
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	<lastBuildDate>Tue, 21 Feb 2012 07:46:25 +0000</lastBuildDate>
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		<title>Comment on Mona Lisa &#8230; Prado Museum&#8217;s original copy to be shown in Louvre Museum by derrilynnee</title>
		<link>http://www.marilynztomlins.com/articles/mona-lisa-prado-museums-original-copy-to-be-shown-in-louvre-museum/#comment-1982</link>
		<dc:creator>derrilynnee</dc:creator>
		<pubDate>Tue, 21 Feb 2012 07:46:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2693#comment-1982</guid>
		<description>This painting is extremely important, but it puzzles me why it has not gotten due recognition years ago. 

The﻿ colors in her garments prove that she is a member of the powerful Italian Sforza-Visconti dynasty. Leonardo was a﻿ court painter for the Milanese noble house for over 17 years. The long veil she is wearing is worn ONLY and specifically by the Milanese duchesses in mourning. There were only 4 Duchesses before the French overthrew the Milanese. Three were blond. Her identity is without dispute: Isabella of Aragon, daughter of King Alfonso II of Naples, and the young widow of Gian Galeazzo II Maria Sforza, Duke of Milan.

see kleio.org

If the sitter in the painting was really Salai or Leonardo in drag, why did not the French King, who became the owner of the painting and knew Leonardo’s face, make this conclusion? Why would he even want to own such a rediculous painting? Leonardo had just been aquitted of sodomy, why then would he paint himself in a dress? These assumptions were only started by 19th century biographers and pycho-analyst, and are now in the 21st century accepted as politically correct facts though unsubstantiated by historical facts.

The mystery was solved 10 yrs ago, by historian and author Maike Vogt-Luerssen. It is time to stop the lies of the world’s most famous painting. 

To learn more of Leonardo’s EPIC life, based in 100′s of historical facts and visual evidences left in the paintings of his closest contemporaries see the above website and follow the facebook link.  in English and German.

Thank you.</description>
		<content:encoded><![CDATA[<p>This painting is extremely important, but it puzzles me why it has not gotten due recognition years ago. </p>
<p>The﻿ colors in her garments prove that she is a member of the powerful Italian Sforza-Visconti dynasty. Leonardo was a﻿ court painter for the Milanese noble house for over 17 years. The long veil she is wearing is worn ONLY and specifically by the Milanese duchesses in mourning. There were only 4 Duchesses before the French overthrew the Milanese. Three were blond. Her identity is without dispute: Isabella of Aragon, daughter of King Alfonso II of Naples, and the young widow of Gian Galeazzo II Maria Sforza, Duke of Milan.</p>
<p>see kleio.org</p>
<p>If the sitter in the painting was really Salai or Leonardo in drag, why did not the French King, who became the owner of the painting and knew Leonardo’s face, make this conclusion? Why would he even want to own such a rediculous painting? Leonardo had just been aquitted of sodomy, why then would he paint himself in a dress? These assumptions were only started by 19th century biographers and pycho-analyst, and are now in the 21st century accepted as politically correct facts though unsubstantiated by historical facts.</p>
<p>The mystery was solved 10 yrs ago, by historian and author Maike Vogt-Luerssen. It is time to stop the lies of the world’s most famous painting. </p>
<p>To learn more of Leonardo’s EPIC life, based in 100′s of historical facts and visual evidences left in the paintings of his closest contemporaries see the above website and follow the facebook link.  in English and German.</p>
<p>Thank you.</p>
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		<title>Comment on Dead doggie with the diamond collar &#8230; (Update&#8230; ) by lynn mccain</title>
		<link>http://www.marilynztomlins.com/articles/dead-doggie-with-the-diamond-collar/#comment-1979</link>
		<dc:creator>lynn mccain</dc:creator>
		<pubDate>Sun, 19 Feb 2012 13:16:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2705#comment-1979</guid>
		<description>so interesting... I wished I cud be there... and visit all this myself... you show us les coins qui ne sont pas tellement conu... n est-ce pas</description>
		<content:encoded><![CDATA[<p>so interesting&#8230; I wished I cud be there&#8230; and visit all this myself&#8230; you show us les coins qui ne sont pas tellement conu&#8230; n est-ce pas</p>
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		<title>Comment on Mona Lisa &#8230; Prado Museum&#8217;s original copy to be shown in Louvre Museum by Marilyn Z. Tomlins</title>
		<link>http://www.marilynztomlins.com/articles/mona-lisa-prado-museums-original-copy-to-be-shown-in-louvre-museum/#comment-1974</link>
		<dc:creator>Marilyn Z. Tomlins</dc:creator>
		<pubDate>Tue, 14 Feb 2012 13:41:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2693#comment-1974</guid>
		<description>Thank you, Martin.</description>
		<content:encoded><![CDATA[<p>Thank you, Martin.</p>
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		<title>Comment on Mona Lisa &#8230; Prado Museum&#8217;s original copy to be shown in Louvre Museum by martin</title>
		<link>http://www.marilynztomlins.com/articles/mona-lisa-prado-museums-original-copy-to-be-shown-in-louvre-museum/#comment-1973</link>
		<dc:creator>martin</dc:creator>
		<pubDate>Mon, 13 Feb 2012 16:08:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2693#comment-1973</guid>
		<description>When I traveled for first time to Paris in 1975, I remember have saw  &quot;La Monalisa&quot; in the Louvre Museum. I remember to talk with my aunt about a portrait in the Prado&#039;s museum of a &quot;Spanish Monalisa&quot;. I have a book of Prado&#039;s museum with this painting, editing around 1964.
This painting isn&#039;t a new discovery for the museum. The painting it was in a restauration work to recover the original inks behind a black background around the image of &quot;Monalisa&quot;.
There was some surprises after the restauration.
First of all with the modern technic we can said, this version that was painted at the same time and in the same studio as the original.
Rafaell he had made a copy in the study of Leonardo, he painted two columns in the landscape behind Mona Lisa, same as a Prado&#039;s portrait.
Girgio Vasari in 1560 when described the portrait speak about his colors and ensures that it was a young woman 18 or 19 years old, lush-looking, with eyes and eyebrows that seemed natural, ...
Now scientists are studing a fingerprint made when the portrait was painting
The mistery it&#039;s served, ...

http://cultura.elpais.com/cultura/2012/02/01/actualidad/1328094691_560118.htmlts</description>
		<content:encoded><![CDATA[<p>When I traveled for first time to Paris in 1975, I remember have saw  &#8220;La Monalisa&#8221; in the Louvre Museum. I remember to talk with my aunt about a portrait in the Prado&#8217;s museum of a &#8220;Spanish Monalisa&#8221;. I have a book of Prado&#8217;s museum with this painting, editing around 1964.<br />
This painting isn&#8217;t a new discovery for the museum. The painting it was in a restauration work to recover the original inks behind a black background around the image of &#8220;Monalisa&#8221;.<br />
There was some surprises after the restauration.<br />
First of all with the modern technic we can said, this version that was painted at the same time and in the same studio as the original.<br />
Rafaell he had made a copy in the study of Leonardo, he painted two columns in the landscape behind Mona Lisa, same as a Prado&#8217;s portrait.<br />
Girgio Vasari in 1560 when described the portrait speak about his colors and ensures that it was a young woman 18 or 19 years old, lush-looking, with eyes and eyebrows that seemed natural, &#8230;<br />
Now scientists are studing a fingerprint made when the portrait was painting<br />
The mistery it&#8217;s served, &#8230;</p>
<p><a href="http://cultura.elpais.com/cultura/2012/02/01/actualidad/1328094691_560118.htmlts" rel="nofollow">http://cultura.elpais.com/cultura/2012/02/01/actualidad/1328094691_560118.htmlts</a></p>
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		<title>Comment on Mona Lisa &#8230; Prado Museum&#8217;s original copy to be shown in Louvre Museum by Marilyn Z. Tomlins</title>
		<link>http://www.marilynztomlins.com/articles/mona-lisa-prado-museums-original-copy-to-be-shown-in-louvre-museum/#comment-1972</link>
		<dc:creator>Marilyn Z. Tomlins</dc:creator>
		<pubDate>Tue, 07 Feb 2012 15:30:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2693#comment-1972</guid>
		<description>Yes, I agree, Kenny.</description>
		<content:encoded><![CDATA[<p>Yes, I agree, Kenny.</p>
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		<title>Comment on Mona Lisa &#8230; Prado Museum&#8217;s original copy to be shown in Louvre Museum by Kenny Mullin</title>
		<link>http://www.marilynztomlins.com/articles/mona-lisa-prado-museums-original-copy-to-be-shown-in-louvre-museum/#comment-1971</link>
		<dc:creator>Kenny Mullin</dc:creator>
		<pubDate>Tue, 07 Feb 2012 04:52:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2693#comment-1971</guid>
		<description>MONA LISA ! A BOOK without WORDS !</description>
		<content:encoded><![CDATA[<p>MONA LISA ! A BOOK without WORDS !</p>
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		<title>Comment on Mona Lisa &#8230; Prado Museum&#8217;s original copy to be shown in Louvre Museum by Marilyn Z. Tomlins</title>
		<link>http://www.marilynztomlins.com/articles/mona-lisa-prado-museums-original-copy-to-be-shown-in-louvre-museum/#comment-1969</link>
		<dc:creator>Marilyn Z. Tomlins</dc:creator>
		<pubDate>Mon, 06 Feb 2012 11:26:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2693#comment-1969</guid>
		<description>Yes, it struck me. And these days it&#039;s behind glass.</description>
		<content:encoded><![CDATA[<p>Yes, it struck me. And these days it&#8217;s behind glass.</p>
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		<title>Comment on Mona Lisa &#8230; Prado Museum&#8217;s original copy to be shown in Louvre Museum by Jowake</title>
		<link>http://www.marilynztomlins.com/articles/mona-lisa-prado-museums-original-copy-to-be-shown-in-louvre-museum/#comment-1968</link>
		<dc:creator>Jowake</dc:creator>
		<pubDate>Sat, 04 Feb 2012 16:08:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2693#comment-1968</guid>
		<description>When I saw the Mona Lisa I was astonished by how small it was. I never have liked the painting I&#039;m afraid.</description>
		<content:encoded><![CDATA[<p>When I saw the Mona Lisa I was astonished by how small it was. I never have liked the painting I&#8217;m afraid.</p>
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		<title>Comment on Paris &#8230;where to live &#8230; least/most inhabitants &#8230; by Nina F</title>
		<link>http://www.marilynztomlins.com/articles/paris-where-to-live-leastmost-inhabitants/#comment-1965</link>
		<dc:creator>Nina F</dc:creator>
		<pubDate>Sun, 29 Jan 2012 13:46:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2683#comment-1965</guid>
		<description>Great post - lots of things I didn&#039;t know here!  Wow, 13 million people in extended Paris, that&#039;s almost 3 times as many people as in entire Norway (my ex-country).

The 18ème can be very cozy and charming, but also rather scary, especially near Pigalle and in the north. I lived at Montmartre for my first months in Paris and I was robbed twice. I&#039;ve been living in the 7ème for 3 years now, and it&#039;s so true what you write - it&#039;s quiet - and I love that, I feel so safe here.  I could happily go on living in the 7ème for the rest of my life. But I also LOVE the 16ème and the 6ème, it&#039;s not unlikely I&#039;ll move there in the future...

If Americans ask me which arrondissement I recommend in Paris, I always answer the 7ème, I feel that&#039;s the most &quot;American&quot; arrondissement in Paris with two American shops, American library, and lots of Anglophones. :-)

Where in Paris do you live, Marilyn? (Unless it&#039;s a secret... ;-)</description>
		<content:encoded><![CDATA[<p>Great post &#8211; lots of things I didn&#8217;t know here!  Wow, 13 million people in extended Paris, that&#8217;s almost 3 times as many people as in entire Norway (my ex-country).</p>
<p>The 18ème can be very cozy and charming, but also rather scary, especially near Pigalle and in the north. I lived at Montmartre for my first months in Paris and I was robbed twice. I&#8217;ve been living in the 7ème for 3 years now, and it&#8217;s so true what you write &#8211; it&#8217;s quiet &#8211; and I love that, I feel so safe here.  I could happily go on living in the 7ème for the rest of my life. But I also LOVE the 16ème and the 6ème, it&#8217;s not unlikely I&#8217;ll move there in the future&#8230;</p>
<p>If Americans ask me which arrondissement I recommend in Paris, I always answer the 7ème, I feel that&#8217;s the most &#8220;American&#8221; arrondissement in Paris with two American shops, American library, and lots of Anglophones. <img src='http://www.marilynztomlins.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
<p>Where in Paris do you live, Marilyn? (Unless it&#8217;s a secret&#8230; <img src='http://www.marilynztomlins.com/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /> </p>
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		<title>Comment on Pere Lachaise Cemetery &#8230; where a rose is a rose is a rose &#8230; and je ne regrette rien &#8230; by Marilyn Z. Tomlins</title>
		<link>http://www.marilynztomlins.com/articles/pere-lachaise-cemetery-where-a-rose-is-a-rose-is-a-rose-and-je-ne-regrette-rien/#comment-1959</link>
		<dc:creator>Marilyn Z. Tomlins</dc:creator>
		<pubDate>Fri, 13 Jan 2012 14:11:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.marilynztomlins.com/?p=2157#comment-1959</guid>
		<description>Yes, quite right. I have the J&#039;Accuse L&#039;Aurore front page.</description>
		<content:encoded><![CDATA[<p>Yes, quite right. I have the J&#8217;Accuse L&#8217;Aurore front page.</p>
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